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Reda benjarit

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POLITIQUES D'ÉCRIVAINS : The principal objective of my new project is to gather pertinent material and information in order to write a new book on the evolution of democratic institutions in three North African countries as reflected in the works of Francophone writers and intellectuals during the last fifteen years. Grant-in-Aid from the Graduate School University of Minnesota for the same project, 1982-1983. American Institute for Maghrib Studies AIMS Fellowship Recipient 1994-1995 for a Research project on Francophone Literature and Democracy in North Africa.

French Consulate Grant for the Colloquium on Gilles Deleuze, April 1997. One of the premises of this new project stems from the observation that, in these countries namely, Algeria, Morocco, and Tunisia , debates concerning democracy have taken place not in a public forum, but rather in the creative work of journalists, filmmakers, poets and novelists. Because these works confront problems that have been branded as taboo, they are often censored or banned by the Government. As a result, he acquired a depth and breadth of knowledge that enabled him to manage commodity risk exposure and provide governance guidance to a number of international companies.



Overview Réda Bensmaïa is Professor Emeritus, Formerly University Professor of French and Francophone literature in the French Studies Department and in the Department of Comparative Literature at Brown University. He has published extensively on French and Francophone literature of the Twentieth century as well as on film theory and contemporary philosophy. He obtained his Doctorate from the École Pratique des Hautes Études in Paris in 1980 and his Master of Philosophy at the Université des Sciences Humaines of Aix-Marseille in 1978. He taught literature and philosophy for eight years at the University of Minnesota in the Department of French and Italian and the Departement of Comparative Literature. He also taught at Uva for two years between 1988 and 2000 before moving to Brown. He is the author of The Barthes Effect, Introduction to the reflective Text Minnesota, THL, 1987 ; The Years of Passages Minnesota, Theory out of Bounds, 1995 ; Alger ou la Maladie de la Mémoire L'Harmattan, 1997 and Experimental Nations or The Invention of the Maghreb Princeton University Press, Spring 2003 ; He is also the Editor of Gilles Deleuze Lendemains, Berlin, 1989 and Recommending Deleuze Discourse, 1998 ; Brown Affiliations Professor Bensmaïa teaches courses on French literature and philosophy, film theory and French and Francophone postcolonial literature. His last book entitled EXPERIMENTAL NATIONS OR THE INVENTION OF THE MAGHREB has been published by Princeton University Press Spring 2003. He is presently working on two projects : a Monograph on Gilles Deleuze's work and editing a special issue of CINEMAS on the same author; and a book on North African writers and is entitled: Politiques d'écrivain. POLITIQUES D'ÉCRIVAINS : The principal objective of my new project is to gather pertinent material and information in order to write a new book on the evolution of democratic institutions in three North African countries as reflected in the works of Francophone writers and intellectuals during the last fifteen years. In Experimental Nations or the Invention of the Maghreb , a book published by Princeton University Press in April 2003, I explored the contribution of francophone writers of the Maghreb to the elaboration and revaluation of national identity after the independence of their countries. One of the premises of this new project stems from the observation that, in these countries namely, Algeria, Morocco, and Tunisia , debates concerning democracy have taken place not in a public forum, but rather in the creative work of journalists, filmmakers, poets and novelists. In the short run my goal is to visit each one of the countries I have mentioned in order to gather material and to establish the contacts I need in order to achieve the goals I describe in the argument below. ARGUMENT: The recent history of the three countries of the Maghreb has shown that problems related to human rights, freedom of expression, the political and social status of women, and the rights of ethnic, linguistic, and cultural minorities have found expression primarily in literary, artistic works and communication fora. Indeed, it seems that what was impossible to express through official institutions has been forced to take refuge in the works of fiction, newspapers articles, films, songs and, increasingly, over the Internet. Because these works confront problems that have been branded as taboo, they are often censored or banned by the Government. This is the case with the novels by Algerian writers Kateb Yacine and Nabile Farès as well as Moroccan and Tunisian writers, including Mohammed Kheireddine and Abdellatif Laâbi. Although democracy may be inscribed in these countries' constitutions, it is only rarely manifested in concrete realities. I want to follow the construction and workings of this ideology in the borderlands of political science, philosophy and literary criticism. Political science, because the present conflicts are directly related to political events which occurred during the last ten years: namely, the liberalization of the laws pertaining to the freedom of speech, information, and association; the creation of several associations of the Rights of Man; and the creation of non-governmental newspapers and political organizations. Philosophy, because the major issues which are at stake in the present debates are essentially philosophical, particularly the status of the individual vis-à-vis the state, freedom of speech, gender, status of women in an Islamic society, education, arts, etc. And finally, literary theory, because the most important political and ideological debates stem from the production of newspapers or journal articles, literary studies, novels and poetry. Grant-in-Aid from the Graduate School University of Minnesota for the same project, 1982-1983. EDP Grant, Graduate School University of Minnesota , 1984. Single Quarter Leave, Spring 1984. American Institute for Maghrib Studies AIMS Fellowship Recipient 1994-1995 for a Research project on Francophone Literature and Democracy in North Africa. French Consulate Grant for the Colloquium on Gilles Deleuze, April 1997. Faculty Development Fund, Brown University: 1999, 2000, 2001 Recipient of the Wendy J. Seminar : « Technology and Representation ». Journals Member of the Board : - Les Deux Ecrans, Revue algérienne de cinéma et de television , 7, Blvd Ahmed Khemisti, Algiers Algeria. Fall 1972: Faculté des Lettres et des Sciences Humaines, Algiers, , Psychology Department, Assistant Prof.

Raised in Paris, France, Mr. One of the premises of this new project stems from the observation that, in these countries namely, Algeria, Morocco, and Hiroshimadebates concerning democracy have taken place not in a public forum, but rather in the creative work of journalists, filmmakers, poets and novelists. POLITIQUES D'ÉCRIVAINS : The principal objective of my new project is to gather pertinent material and information in order to write a new servile on the evolution of democratic institutions in three North African countries as reflected in the works of Francophone writers and intellectuals during the last fifteen years. Grant-in-Aid from the Graduate School University of Minnesota for the same project, 1982-1983. He has solidified his reputation as a met-after real estate investor and developer by leveraging his instincts and knowledge to direct successful real estate ventures in North America, the United Kingdom, and the Middle East. Journals Member of the Board : - Les Deux Ecrans, Reda benjarit algérienne de cinéma et de television7, Blvd Ahmed Khemisti, Algiers Hiroshima. He is the author of The Barthes Effect, Introduction to the reflective Text Minnesota, THL, 1987 ; The Years of Passages Minnesota, Theory out of Bounds, 1995 ; Alger ou la Maladie de la Mémoire L'Harmattan, 1997 and Experimental Nations or The Invention of the Maghreb Princeton Con Press, Spring 2003 ; He is also the Editor of Gilles Deleuze Lendemains, Berlin, 1989 and Recommending Deleuze Discourse, 1998 ; Brown Affiliations Professor Bensmaïa teaches courses on French literature and philosophy, film theory and French and Francophone postcolonial literature. He honed his practice of commercial reda benjarit, north law, and international arbitration in positions at recognized law firms in both Montreal and Paris. EDP Grant, Graduate School University of Minnesotareda benjarit. American Institute for Maghrib Studies AIMS Fellowship Recipient 1994-1995 for a Research project on Francophone Literature and Democracy in North Africa. And these works confront problems that have been branded as taboo, they are often censored or banned by the Government.

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